|Evan Goldstein (Photo by Rachel Rosen)|
Quotes from the Interview
Lingua Franca was an astonishing incubator of talent. It took ideas seriously, but it wasn’t self-serious in the prose tone. It managed to prick the pretensions of the academy.
We cover the world of ideas, but I want to focus our energies on where the world of ideas intersects with the academy. I think that’s where we can be uniquely perceptive and powerful and make an impact.
While I pay close attention to the analytics that we get, I can’t say it gives you enough to grab onto in terms of future pieces or editorial direction. You can’t hang too much on a particular piece that found an audience.
If you look at the people who were the academo-stars of the 1990s, it was literary studies. Now so much of the intellectual energy, and probably the financial resources, have moved to the social sciences, economics, and neuroscience, neuroscience, neuroscience. If there’s any trend now that is comparable to the spread of theory through various disciplines, it's the neuro-fication of so many areas and I think an enterprising ideas journalist would trace that.
The world of editing is divided between people who track changes and people who don’t: this is the great divide to me. I’m in the not-tracking-changes camp. I’ve been called on it by writers occasionally.
I try to be a minimalist. I really think there are often extraneous wording, extraneous thoughts and tangents… Are tangents inherently extraneous? No, you can have a… well, we’ll table that for now.
What should A&LD ideally be doing? Surfacing hidden gems. I don't link much to The New Yorker, The New York Review of Books, The New York Times…I'm anti-New York…No! I just assume that most readers of A&LD are probably seeing that already, so in terms of value-added, I feel so much better when I throw up something like here's this gem of an essay in Dissent. That makes my day.